For decades, the legend of the late folksinger
Karen Dalton
rested on the two studio albums she released between 1969 and 1971.
Dalton
was all but forgotten by the time she passed away in 1993, her music career long behind her, but posthumous interest in her work dovetailed nicely with the archival spelunking that resulted in
Delmore Recordings
' release of previously unheard
tapes. Following up on their release of a 1962
recording, the label offered up the appropriately titled
1966
. This home recording captures
and her then-husband
Richard Tucker
playing together in the cabin in rural Colorado where they sought refuge from the Greenwich Village scene, sans running water and an official address (
was very literally off the map). Despite the lo-fi nature of the source tape, which was made in an ad hoc manner by a local friend, the sparse setting -- just acoustic guitar and banjo -- gives
's distinctive voice plenty of room to do its thing. The song list is probably typical of what she was performing live at the time -- in fact, she and
Tucker
are said to have been rehearsing for a gig during this recording. As on her studio albums, she tackles some traditional folk tunes ("Cotton Eyed Joe," "Mole in the Ground") as well as songs by her friend and fellow folkie recluse
Fred Neil
("Other Side of This Life," "Little Bit of Rain") and the work of her pal and fellow drug victim
Tim Hardin
("Don't Make Promises," "While You're on Your Way," "Shiloh Town"). Her version of "God Bless the Child" makes it clear why she's often regarded as the
Billie Holiday
of the folk world; not only did
share
Lady Day
's lived-in tone, world-weary delivery, and troubled, foreshortened life, she had a way to take songs from almost any source and make them sound as if they'd never existed before her haunted pipes brought them into being. ~ J. Allen