Placing
All the Leaves Are Gone
in the CD player is a little like a time warp. Is the album a reissue of an obscure '60s group from San Francisco? Or is it, perhaps, a contemporary recording (2004) that evokes yesteryear? In the case of
Josephine Foster & the Supposed
, it's the latter. The easiest comparison would be to
Jefferson Airplane
, circa 1967, with out of kilter melodies in minor keys and the guitars barely in tune.
Foster
plays the part of
Grace Slick
here, but she sounds more like
Maddy Prior
on acid. Her hippie, drug-induced vocal delivery is supported by
the Supposed
, who are guitarist/bassist
Brian Goodman
and drummer
Rusty Peterson
. While instrumental parts seem to have been dubbed here and there on
, the arrangements are mostly spare, which works well for creating a spacious sound, even when things get kind of loud. How listeners react to the material will probably depend on how familiar they are with groups like
, early
Grateful Dead
, and even
the Velvet Underground
. The opening song,
"Well-Heeled Man,"
certainly captures one's attention, and
's fragile vocal is evocative. While the effect here and elsewhere is often winning, it's easy to feel overwhelmed by the
experimental
mood of the material. The music ranges from gentle to dissonant, from a hush to a crash, alternately pulling the listener in and pushing the listener away. The listener may be intrigued or overwhelmed by
, but he or she will never be bored. ~ Ronnie D. Lankford Jr.