Ovid’s
Fasti,
his poem on the Roman calendar, became especially influential during the fifteenth century as a guide to classical Roman culture. Ovid’s treatment of mythological and astronomical lore, his investigation of anniversaries and customs, and his charting of monuments and history offered humanist poets and intellectuals an abundance of material to unravel. They could identify with Ovid as
vates operosus,
or hard-working seer-poet, suggesting both researcher and inspired authority.   Angela Fritsen’s
Antiquarian Voices:
The Roman Academy and the Commentary Tradition on Ovid’s
Fasti offers the first study of the Renaissance exegesis and imitation of Ovid as antiquarian. Fritsen analyzes the
Fasti
commentaries by Paolo Marsi (1440-1484) and Antonio Costanzi (1436-1490) as well as the connections between the two works. It situates Ovidian
studies in the Roman Academy under the mentorship of Pomponio Leto. Nowhere could the investigation of the
be carried out better than in Rome. The humanists had a guide to the City in Ovid. They also regarded the
as well suited to the ideology of the ancient Roman
imperium
’s renewal in modern papal Rome.
Antiquarian Voices
illustrates how in reviving the
,
the humanists returned Rome to its original splendor. The book demonstrates that the humanists were eager to relate the
to their antiquarian pursuits—as well as to their rising personal fame.