Anton Newcombe
continues to explore his influences on
Aufheben
and, as the
Kraftwerkian
name implies, Krautrock plays a big part in this release. Recorded in Berlin, one might be reminded of
David Bowie
's Berlin trilogy. Like
Low
,
Heroes
, and
Lodger
BJM
's output from 2008 to 2012 (
My Bloody Underground
Who Killed Sgt. Pepper?
, and this album) is a highly experimental series -- full of fractured song structures and lengthy, extensive jams -- but each of the three feels cut from the same cloth and, when stepping back and fanning through the discography, they could easily be considered career highlights.
Newcombe
once again proves to be an expert at filtering vintage sounds into his own vision. The India-influenced '60s psychedelia of
Their Satanic Majesties' Second Request
is revisited in the flutes, sitars, and swirling textures, while ongoing nods to '80s shoegaze and '60s psych are incorporated tastefully into the motorik landscape. Under the sweeping, grandiose soundscapes are some of
's best-written songs. It's a sign of maturity when an artist can incorporate the best aspects of the past and continue to press forward with such a sense of purpose. The hypnotic momentum is steered by a stellar cast of session musicians, including ex-
Spacemen 3
bassist
Will Carruthers
and original member
Matt Hollywood
, who patched things up with
for 2010's
's shining moments are the most daring ones, and are also surprisingly sweet: newcomer
Eliza Karmasalo
sings sweetly in Finnish on "Viholliseni Maalla," a dead ringer for a
Stereolab
B-side, and
New Order
's biggest single gets a salute in a heartbreaking, bittersweet symphony called "Blue Order/New Monday." ~ Jason Lymangrover