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Avant l'Orage: French String Trios 1926-1939
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Barnes and Noble
Avant l'Orage: French String Trios 1926-1939
Current price: $21.99
Barnes and Noble
Avant l'Orage: French String Trios 1926-1939
Current price: $21.99
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This is the second album of unusual early 20th century repertory issued by the
Black Oak Ensemble
, clearly, a group to watch. Here the group offers seven string trios from the years 1926 to 1939, "
Avant l'Orage
" ("Before the Storm"), in the words of the album title. The puckish works of
Jean Francaix
sometimes show up in the programming of chamber music societies and the like, but most of the composers here are rare finds, even in France. The works by
Henri Tomasi
,
Robert Casadesus
(the pianist), and
Gustave Samazeuilh
are recorded here for the first time. The pieces have a neoclassic tinge and hold together nicely, reflecting the French neoclassic values of balance, melodicism, and gentle wit. The influence of
Debussy
's Impressionism is there, but it is on the margins, even in the
Suite en trio
of
's student
Samazeuilh
; the harmonies march forward straightforwardly, and the works are formally clear. Yet there is nothing backward-looking about the music, which is fresh and lively. Several of the slow movements have a deeply lyrical tinge (sample the one by
Jean Cras
, who, in addition to composing, was a French naval officer). In general, this music deserves to be much better known than it is, and it would enliven any university music recital. ~ James Manheim
Black Oak Ensemble
, clearly, a group to watch. Here the group offers seven string trios from the years 1926 to 1939, "
Avant l'Orage
" ("Before the Storm"), in the words of the album title. The puckish works of
Jean Francaix
sometimes show up in the programming of chamber music societies and the like, but most of the composers here are rare finds, even in France. The works by
Henri Tomasi
,
Robert Casadesus
(the pianist), and
Gustave Samazeuilh
are recorded here for the first time. The pieces have a neoclassic tinge and hold together nicely, reflecting the French neoclassic values of balance, melodicism, and gentle wit. The influence of
Debussy
's Impressionism is there, but it is on the margins, even in the
Suite en trio
of
's student
Samazeuilh
; the harmonies march forward straightforwardly, and the works are formally clear. Yet there is nothing backward-looking about the music, which is fresh and lively. Several of the slow movements have a deeply lyrical tinge (sample the one by
Jean Cras
, who, in addition to composing, was a French naval officer). In general, this music deserves to be much better known than it is, and it would enliven any university music recital. ~ James Manheim