The follow-up to
Linval Thompson
's classic 1982 album,
Look How Me Sexy
,
Baby Father
arrived the following year, and was equally masterful. Both sets were self-produced at
Channel One
studio, with
Anthony Hamilton
at the mixing board, and the
Roots Radics
at their finest. However, the latter album also boasted saxophonist
Dean Fraser
and trombonist
Ronald "Nambo" Robinson
, and their inclusion in the line-up seems to have pushed
Thompson
to even greater emotional heights.
In general, the singer had a gentle vocal style, although he imbued it with absolute conviction, leaving no doubt that when he cried "really and truly" -- his
dancehall
catch phrase at the time, he absolutely meant every word he was singing.
This was as true on
's
romantic
numbers as on his cultural ones.
was stuffed with gorgeous love and lovelorn numbers, and each one was a stunner. The disappointment that fills
"She Gone,"
the emotional power of
"Yes I'm Coming,"
the beauty of
"Love Me Forever,"
all are fabulous and enhanced by
the Radics
' own melody-strewn performances across a stream of resurrected musical gems, which keyboardist
Wycliffe "Steely" Johnson
infuses with a pure
Studio One
sound.
The cultural numbers are just as strong, and songs like
"Run Down Vanity"
and
"Poor Man"
are classics, but even more potent were
"Shouldn't Lift Your Hand,"
and the title track, which tackles domestic violence and addresses irresponsible young men respectively.
To this day,
's reputation as a producer far outweighs the respect he garnered as a singer. This masterpiece again proves those comparison are unfair, and his dramatic
productions here, of especial note
"Tell Me the Right Time,"
are equaled by his excellent, intelligent lyrics and forthright performances throughout this set. ~ Jo-Ann Greene