If ever an artist had a right to claim the
blues
, it was
Roy Hawkins
. Born in Texas, he migrated to California in the late '30s, and by the mid-'40s the piano playing
Hawkins
was a fixture on the
West Coast jazz
and
R&B
scene. A car accident left him with a paralyzed arm, however, ending his piano career, but he was a subtle songwriter and singer, and his autobiographical
"Why Do Everything Happen to Me"
was a high-charting
hit in 1950. The following year another
original,
"The Thrill Is Gone,"
attracted some attention, but not as much as
B.B. King
's cover version would get some 20 years later in 1970. Even then
continued to be snake bit, since royalties from
King
's hit version of
"The Thrill Is Gone"
were mistakenly assigned to a pair of writers who had written a completely different song with the same title. By the mid-'50s,
was essentially a forgotten man as far as the music business was concerned, and although he recorded sporadically through 1961, he never managed anything beyond regional success. Even the year of his death is up for debate, but is believed to have been in 1973. His complete obscurity is baffling, really, since his recorded work was always consistent, even compelling and poetic.
Bad Luck Is Falling: The Modern, RPM and Kent Recordings, Vol. 2
follows
Ace Records
' first volume of
' collected work, 2000s
The Thrill Is Gone
, and collects what's left of his tracks for the various
Bihari Brothers
imprints (
Modern
,
RPM
Kent
) between 1949 and 1961, as well as four tracks from his 1948 session for
Down Town Records
, the masters of which were in turn leased to
. An alternate take of
from 1951 is here (the released single version is on
), and
gives the song a much more ominous and less-resigned feel than
's
big-band
version. Other highlights include a fine cover of
Percy Mayfield
"What a Fool I Was,"
a lovely version of
Kurt Weill
Maxwell Anderson
"September Song,"
a rendition of
Richard M. Jones
' oft-covered
"Trouble in Mind,"
and a pair of solid originals, the ragged, New Orleans-styled
"Welcome Home"
and the eerie, creeping
urban blues
sound of
' 1948 version of
"Strange Land"
(a 1961 remake of the song is also included here). All good stuff, although listeners may want to check out the first volume,
, first. That
continues to be so little-known is inexcusable, and that there is only one known photograph of him seems impossible to believe. He is well due for rediscovery, but if
' personal history is any guide, something is bound to go wrong, so pick up these two volumes from
Ace
before they inexplicably go up in smoke. ~ Steve Leggett