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Banding Together: How Communities Create Genres in Popular Music
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Barnes and Noble
Banding Together: How Communities Create Genres in Popular Music
Current price: $35.00
Barnes and Noble
Banding Together: How Communities Create Genres in Popular Music
Current price: $35.00
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Why do some music styles gain mass popularity while others thrive in small niches?
Banding Together
explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical stylesranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United StatesJennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music.
What are the common economic, organizational, ideological, and aesthetic traits among contemporary genres? Do genres follow patterns in their development? Lena discovers four dominant formsAvant-garde, Scene-based, Industry-based, and Traditionalistand two dominant trajectories that describe how American pop music genres develop. Outside the United States there exists a fifth form: the Government-purposed genre, which she examines in the music of China, Serbia, Nigeria, and Chile. Offering a rare analysis of how music communities operate, she looks at the shared obstacles and opportunities creative people face and reveals the ways in which people collaborate around ideas, artworks, individuals, and organizations that support their work.
Banding Together
explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical stylesranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United StatesJennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music.
What are the common economic, organizational, ideological, and aesthetic traits among contemporary genres? Do genres follow patterns in their development? Lena discovers four dominant formsAvant-garde, Scene-based, Industry-based, and Traditionalistand two dominant trajectories that describe how American pop music genres develop. Outside the United States there exists a fifth form: the Government-purposed genre, which she examines in the music of China, Serbia, Nigeria, and Chile. Offering a rare analysis of how music communities operate, she looks at the shared obstacles and opportunities creative people face and reveals the ways in which people collaborate around ideas, artworks, individuals, and organizations that support their work.