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Being There [Deluxe Edition] [4 LP]
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Being There [Deluxe Edition] [4 LP]
Current price: $42.99
Barnes and Noble
Being There [Deluxe Edition] [4 LP]
Current price: $42.99
Loading Inventory...
Size: CD
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Wilco
barely had time to figure out just what sort of band they were going to be when they cut their first album, 1995's
A.M.
, and it wasn't until they hit the road that they began to fully emerge from the shadow of
Uncle Tupelo
, the band co-founded by
leader
Jeff Tweedy
. As
developed a distinct sonic personality of their own,
Tweedy
became more ambitious as a songwriter, exploring thematic and melodic elements he'd never considered before, and the band was a very different animal when it returned to the studio to cut its second album. Released in 1996,
Being There
was a stunning leap forward for
, a sprawling double-disc set that confirmed they were far more than just another Midwestern alt-country outfit.
Jay Bennett
joined
following the recording of
, and while his guitar work was solid, it was his keyboards that expanded
's sonic palette and helped redefine their attack, sharpening their rock moves, sweetening their pop side, and adding a sinewy groove throughout.
,
Bennett
, and their bandmates (
Max Johnson
on fiddle, banjo, mandolin, and Dobro;
John Stirratt
on bass; and
Ken Coomer
on drums) developed a new sense of daring, willing to bounce from indie rock noisemaking ("Misunderstood"), nervy autobiographical studies ("Red-Eyed and Blue"), and retro-pop stylings ("Outta Mind [Outta Sight]") to boozy
Stones
-influenced rock ("Monday") and country weepers more emotionally layered than they'd even tried before ("Say You Miss Me"). While there was still twang in
's formula,
broke them out of the alt-country ghetto, confirming they were as versatile as any band in the indie rock firmament, and they consistently sounded joyous and fully in command regardless of the detours they took.
's 19 tracks are individually outstanding, and taken together, they add up to a three-way cross between
Neil Young
's
Harvest
the Rolling Stones
'
Exile on Main St.
, and
Big Star
3rd
that still leaves room for some impressive tricks of its own. If
isn't
's best album, it's the one that staked their claim as an important American band, and it's a rich, dazzling experience from beginning to end. ~ Mark Deming
barely had time to figure out just what sort of band they were going to be when they cut their first album, 1995's
A.M.
, and it wasn't until they hit the road that they began to fully emerge from the shadow of
Uncle Tupelo
, the band co-founded by
leader
Jeff Tweedy
. As
developed a distinct sonic personality of their own,
Tweedy
became more ambitious as a songwriter, exploring thematic and melodic elements he'd never considered before, and the band was a very different animal when it returned to the studio to cut its second album. Released in 1996,
Being There
was a stunning leap forward for
, a sprawling double-disc set that confirmed they were far more than just another Midwestern alt-country outfit.
Jay Bennett
joined
following the recording of
, and while his guitar work was solid, it was his keyboards that expanded
's sonic palette and helped redefine their attack, sharpening their rock moves, sweetening their pop side, and adding a sinewy groove throughout.
,
Bennett
, and their bandmates (
Max Johnson
on fiddle, banjo, mandolin, and Dobro;
John Stirratt
on bass; and
Ken Coomer
on drums) developed a new sense of daring, willing to bounce from indie rock noisemaking ("Misunderstood"), nervy autobiographical studies ("Red-Eyed and Blue"), and retro-pop stylings ("Outta Mind [Outta Sight]") to boozy
Stones
-influenced rock ("Monday") and country weepers more emotionally layered than they'd even tried before ("Say You Miss Me"). While there was still twang in
's formula,
broke them out of the alt-country ghetto, confirming they were as versatile as any band in the indie rock firmament, and they consistently sounded joyous and fully in command regardless of the detours they took.
's 19 tracks are individually outstanding, and taken together, they add up to a three-way cross between
Neil Young
's
Harvest
the Rolling Stones
'
Exile on Main St.
, and
Big Star
3rd
that still leaves room for some impressive tricks of its own. If
isn't
's best album, it's the one that staked their claim as an important American band, and it's a rich, dazzling experience from beginning to end. ~ Mark Deming