The source material for the inspired, all-covers
Black Pearls
album was popularized strictly by women. It's an unsurprising concept, given that
Will Downing
made his 1987 solo debut with a version of
Deniece Williams
' "Free" and went on to cover classics by
Rose Royce
and
Aretha Franklin
. The singer's first album for the
Shanachie
label, this features updates of well-known songs, mostly ballads, that originated in the late '70s and the early '90s. The likes of
Jean Carn
's "Don't Let It Go to Your Head,"
Williams
' "Black Butterfly,"
Rene & Angela
's "Your Smile," and
Brenda Russell
's "Get Here" -- easily the biggest crossover hit among the selections -- are reinterpreted faithfully with
Downing
's typical richness and restraint.
Phyllis Hyman
's "Meet Me on the Moon" (1991), co-written by
Gene McDaniels
, is the deepest selection, but even that one is far from obscure, and it's evidently as close to
's heart as anything else. A characteristically polished recording produced by
, it involves discerning use of strings and horns, as well as help from some longtime associates. Wife
Audrey Wheeler Downing
on background vocals,
Melvin Davis
on bass, and
Randy Bowland
on guitar are all along for the trip.
Kirk Whalum
's flute augments "Nights Over Egypt," and
Najee
takes a saxophone solo on "Street Life." ~ Andy Kellman