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Blues Highway
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Blues Highway
Current price: $17.99
Barnes and Noble
Blues Highway
Current price: $17.99
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Warner Williams
is a consummate
Piedmont bluesman
-- and more. Think of him as a songster, much the way bluesmen in the '20s and '30s were songsters, drawing from all manner of sources for their music, not just
blues
. With a deceptively easy guitar style,
Williams
is every bit at home covering
Bob Wills
'
"Bring It on Down to My House"
or the
standard
"Honeysuckle Rose"
as he is on
Big Bill Broonzy
's
"I Feel Good."
This live disc, recorded at
Wolf Trap
(actually taken from shows in 1993 and 1995), shows just how good this largely unknown veteran is. The duo of
and accompanist
Jay Summerour
(on harmonica, backing vocals, and some excellent whistling) is a latter-day
Sonny Terry & Brownie McGhee
.
is especially strong on the rhythms of the songs, though never overstating them, while still offering plenty of ornaments to fill out the sound, as he does on
"I'm Confessing That I Love You,"
where his solo is a masterpiece of incisive melody. He's also a more than adequate vocalist, with some grit in his voice. This isn't the anguished
of a
Robert Johnson
-- the
Piedmont
style was always lighter -- but the Washington, D.C., native updates the feel of someone like
Blind Blake
in generous, outgoing fashion. It's entertaining, but more than that; lovingly recorded, it's a testament to the fact that the
will never die. ~ Chris Nickson
is a consummate
Piedmont bluesman
-- and more. Think of him as a songster, much the way bluesmen in the '20s and '30s were songsters, drawing from all manner of sources for their music, not just
blues
. With a deceptively easy guitar style,
Williams
is every bit at home covering
Bob Wills
'
"Bring It on Down to My House"
or the
standard
"Honeysuckle Rose"
as he is on
Big Bill Broonzy
's
"I Feel Good."
This live disc, recorded at
Wolf Trap
(actually taken from shows in 1993 and 1995), shows just how good this largely unknown veteran is. The duo of
and accompanist
Jay Summerour
(on harmonica, backing vocals, and some excellent whistling) is a latter-day
Sonny Terry & Brownie McGhee
.
is especially strong on the rhythms of the songs, though never overstating them, while still offering plenty of ornaments to fill out the sound, as he does on
"I'm Confessing That I Love You,"
where his solo is a masterpiece of incisive melody. He's also a more than adequate vocalist, with some grit in his voice. This isn't the anguished
of a
Robert Johnson
-- the
Piedmont
style was always lighter -- but the Washington, D.C., native updates the feel of someone like
Blind Blake
in generous, outgoing fashion. It's entertaining, but more than that; lovingly recorded, it's a testament to the fact that the
will never die. ~ Chris Nickson