Albert King
recorded a lot in the early '60s, including some classic sides, but they never quite hit the mark. They never gained a large audience, nor did they really capture the ferocity of his single-string leads. Then he signed with
Stax
in 1966 and recorded a number of sessions with the house band,
Booker T. & the MG's
, and everything just clicked.
The MG's
gave
King
supple Southern support, providing an excellent contrast to his tightly wound lead guitar, allowing to him to unleash a torrent of blistering guitar runs that were profoundly influential, not just in
blues
, but in
rock & roll
(witness
Eric Clapton
's unabashed copping of
throughout
Cream
's
Disraeli Gears
). Initially, these sessions were just released as singles, but they were soon compiled as
debut,
Born Under a Bad Sign
. Certainly, the concentration of singles gives the album a consistency -- these were songs devised to get attention -- but, years later, it's astounding how strong this catalog of songs is:
"Born Under a Bad Sign,"
"Crosscut Saw,"
"Oh Pretty Woman,"
"The Hunter,"
"Personal Manager,"
and
"Laundromat Blues"
form the very foundation of
's musical identity and legacy. Few
albums are this on a cut-by-cut level; the songs are exceptional and the performances are rich, from
's dynamic playing to the
Southern funk
of
the MG's
. It was immediately influential at the time and, over the years, it has only grown in stature as one of the very greatest
electric blues
albums of all time. [A 2013
Remsatered version added three bonus tracks.] ~ Stephen Thomas Erlewine