After many hit singles with
the Belmonts
,
Dion
went solo and became one of the first rock & roll stars signed to the
Columbia
label. Although he was only with the label for four years,
recorded some of his most adventurous music during this period.
Bronx Blues: The Columbia Recordings
chronicles this phase in his career, and is the best single-disc compilation of his mid-'60s work. The first singles released were similar in style to
the Belmont
's recordings (
"Donna the Prima Donna"
) and demonstrated his continued love for doo wop as he covers older songs such as the
Drifters'
"Ruby Baby,"
which peaked at number two. While the first half of this album is strong, the second half is truly revelatory; it shows
, who had just been exposed to the music of
Robert Johnson
, infusing the bravado of his streetwise persona into the blues. The results don't always work (he doesn't have the deep, powerful voice required to sing
Willie Dixon
's
"Spoonful"
), but the results are magic when he hits the mark. The best example is his own
"Two Ton Feather,"
a song that's not pure blues, but blues interpreted by a newly converted fan of the genre. In that respect, it's not surprising that his style is similar to
Bob Dylan
's. In fact, the highlight of the album, and perhaps
's best recording ever, is his previously unreleased version of
Dylan
"Baby, I'm in the Mood for You"
in which he brings out all the snarl and attitude of the tune. While these years are often considered a transition period for
, this compilation is essential in showcasing his songwriting talents and restless spirit. ~ Vik Iyengar