Released a year after
Eat a Peach
,
Brothers and Sisters
shows off a leaner brand of musicianship, which, coupled with a pair of serious crowd-pleasers,
"Ramblin' Man"
and
"Jessica,"
helped drive it to the top of the charts for a month and a half and to platinum record sales. This was the first album to feature the group's new lineup, with
Chuck Leavell
on keyboards and
Lamar Williams
on bass, as well as
Dickey Betts
' emergence as a singer alongside
Gregg Allman
. The tracks appear on the album in the order in which they were recorded, and the first three, up through
"Ramblin' Man,"
feature
Berry Oakley
-- their sound is rock-hard and crisp. The subsequent songs with
Williams
have the bass buried in the mix, and an overall muddier sound. The interplay between
Leavell
Betts
is beautiful on some songs, and
' slide on
"Pony Boy"
is a dazzling showcase that surprised everybody. Despite its sales,
is not quite a classic album (although it was their best for the next 17 years), especially in the wake of the four that had appeared previously, but it served as a template for some killer stage performances, and it proved that the band could survive the deaths of two key members. ~ Bruce Eder