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Conquering South America
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Conquering South America
Current price: $42.99
Barnes and Noble
Conquering South America
Current price: $42.99
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Recorded over seven nights in different Brazilian locales,
Malevolent Creation
want the listener to experience their sound in a live setting. This doesn't start off too well, though, on
"Eve of the Apocalypse,"
as the muffled roars of an audience are drowned out by a minute-long intro that is tedious at best. From there the group tears into the song with
Metallica
-like precision as vocalist
Kyle Symons
wails each lyric. Drummer
Tony Laureano
is also working double and sometime triple time throughout the tune, as the guitars build on top of each other for a classic head-banging
metal
sound with traces of
nu-metal
a la
Slipknot
.
"Multiple Stab Wounds"
picks up where the last song left off, but seems to take fewer prisoners thanks to guitarists
Phil Fasciana
and
Rob Barrett
. Think
Slayer
if they grew up influenced more by
Judas Priest
and you would get the genesis of this song. The tune slows down somewhat into
Iron Maiden
-like territory before returning to its initial style. The group's ability to deliver straightforward
tunes like
"Manic Demise"
and deeper, darker, and meatier riffs on
"Blood Brothers"
would make it appealing for most
fans. One problem, though, is that the album's cut-and-paste approach results in little fan reaction or participation being audible, especially on the rapid-fire
"Kill Zone."
But earlier tracks from their discography, including
"Slaughter of Innocence,"
more than atone for this miscue with a rat-a-tat-tat, quasi-military approach to
"To Die Is at Hand"
-- the centerpiece of the record, and with good reason -- is a relentless and ferocious sonic assault that bassist
Gordon Simms
plays a crucial role in. The same pace is found on
"Monster,"
with
speed
,
black
, and
death metal
seemingly fused into one. Sound effects open
"Alliance of War,"
Symons
riles up the crowd before launching into the beefy, crunchy, riff-riddled tune. The album wraps up with short and brutal
nuggets such as
"Infernal Desire"
"Living in Fear."
On the whole, it's an album that moves
forward by incorporating parts of the genre's rich past. ~ Jason MacNeil
Malevolent Creation
want the listener to experience their sound in a live setting. This doesn't start off too well, though, on
"Eve of the Apocalypse,"
as the muffled roars of an audience are drowned out by a minute-long intro that is tedious at best. From there the group tears into the song with
Metallica
-like precision as vocalist
Kyle Symons
wails each lyric. Drummer
Tony Laureano
is also working double and sometime triple time throughout the tune, as the guitars build on top of each other for a classic head-banging
metal
sound with traces of
nu-metal
a la
Slipknot
.
"Multiple Stab Wounds"
picks up where the last song left off, but seems to take fewer prisoners thanks to guitarists
Phil Fasciana
and
Rob Barrett
. Think
Slayer
if they grew up influenced more by
Judas Priest
and you would get the genesis of this song. The tune slows down somewhat into
Iron Maiden
-like territory before returning to its initial style. The group's ability to deliver straightforward
tunes like
"Manic Demise"
and deeper, darker, and meatier riffs on
"Blood Brothers"
would make it appealing for most
fans. One problem, though, is that the album's cut-and-paste approach results in little fan reaction or participation being audible, especially on the rapid-fire
"Kill Zone."
But earlier tracks from their discography, including
"Slaughter of Innocence,"
more than atone for this miscue with a rat-a-tat-tat, quasi-military approach to
"To Die Is at Hand"
-- the centerpiece of the record, and with good reason -- is a relentless and ferocious sonic assault that bassist
Gordon Simms
plays a crucial role in. The same pace is found on
"Monster,"
with
speed
,
black
, and
death metal
seemingly fused into one. Sound effects open
"Alliance of War,"
Symons
riles up the crowd before launching into the beefy, crunchy, riff-riddled tune. The album wraps up with short and brutal
nuggets such as
"Infernal Desire"
"Living in Fear."
On the whole, it's an album that moves
forward by incorporating parts of the genre's rich past. ~ Jason MacNeil