Bringing together in English translation eleven Francophone African plays dating from 1970 to 2021, this essential collection includes satirical portraits of colonizers and their collaborators (Bernard Dadié’s
Béatrice du Congo;
Sony Labou Tansi’s
I, Undersigned, Cardiac Case
; Sénouvo Agbota Zinsou’s
We’re Just Playing
) alongside contemporary works questioning diasporic identity and cultural connections (Koffi Kwahulé’s
SAMO: A Tribute to Basquiat
and Penda Diouf’s
Tracks, Trails, and Traces…
). The anthology memorializes the Rwandan genocide (Yolande Mukagasana’s testimony from
Rwanda 94
), questions the status of women in entrenched patriarchy (Werewere Liking’s
Singuè Mura: Given That a Woman…
), and follows the life of Elizabeth Nietzsche, who perverted her brother’s thought to colonize Paraguay (José Pliya’s
The Sister of Zarathustra)
. Gustave Akakpo’s
The True Story of Little Red Riding Hood
and Kossi Efoui’s
The Conference of the Dogs
offer parables about what makes life livable, while Kangni Alem’s
The Landing
shows the dangers of believing in a better life, through migration, outside of Africa.