After seven years away from the recording studio,
Wolf Parade
have picked up where they left off, sounding confident and full-bodied on their fourth studio effort, 2017's
Cry Cry Cry
. As before,
approach indie rock with the sense of drama of a prog rock band, reinforced by the operatic quaver of
Spencer Krug
's vocal work and the grand ambitions of the keyboards by
Krug
and
Dante DeCaro
. Despite their hiatus,
sound fresh and invigorated on these 11 songs, with the healthy snap of
Arlen Thompson
's drumming keeping the proceedings lively even when the group slinks into a languid mood on "Flies on the Sun" or aims for a moody effect on "Lazarus Online." (
DeCaro
's bass work is more subtle in the mix, but no less strong in execution.) While the group references a few of the major events that took place since
last made an album -- the death of
David Bowie
on "Valley Boy" and the passing of
Leonard Cohen
just as
Donald Trump
was rising to power in "You're Dreaming" -- most of the time the group seems to be looking inward, albeit with an intelligence and sense of purpose that prevents the material from seeming solipsistic.
Dan Boeckner
's guitar is often dwarfed in the mix by the keyboards, but he adds a crunchy texture that lends an added weight and heft to these songs. And the production by
John Goodmanson
is an ideal match for the material, giving these performances the right amount of gravity without making this music sound swollen or pompous. Feeling strong and fit after their layoff,
don't sound like a band convinced they have something to prove on
-- it quickly announces that they're as capable and creative as ever, and the finished product is as strong as anything they've released to date. ~ Mark Deming