The seductive, ultra-romantic, gracefully exotic follow-up to
Maria de Barros
' stunning debut,
Nha Mundo (My World)
, does exactly what the English translation of the title promises -- it invites listeners to dance, slowly then quickly then slowly again, to the various rhythmic energies of her native West African homeland. Her record label bills
de Barros
as a "Cabo Verdean chanteuse," largely as a matter of identifying her ancestry and musical palette, but the singer hails from nearby Senegal, for those interested in musical geography. The Cape Verdean islands are decidedly more colorful, situated as they are at a location where the cultures of three continents intermingle and fashioning native styles from a swirl of African, Argentinean, Portuguese, and Cuban rhythms. The land's most renowned legend is
Cesaria Evora
, the five-time Grammy-winning "barefoot diva" who just happens to be
' godmother and number one influence. But the younger singer isn't a complete disciple, as
Evora
is known for her melancholy
mornas
and
-- whose raspy, emotional voice bears a favorable comparison to that of
Gloria Estefan
-- is being touted as "Queen of the Coladeiras," a
salsa
-styled dance music.
Danca Ma Mi
is a bright and sexy, soul-sparking romantic party collection, centered around
' colorful interaction with adult and children's choirs and dazzling, alternately thick and sparse percussion textures. It plays like a travelogue of the heart for those who will never visit these islands, from
to coladeiras to
merengue
-like funana rhythms. Even if the listener can't distinguish which rhythm is which, it's still a vibrant musical experience. And since she's singing in her native language, English-speaking fans will enjoy the challenge of feeling
' wide array of sorrows and joys sans the benefit of lyrical translation. ~ Jonathan Widran