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Dancin' on the Couch
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Barnes and Noble
Dancin' on the Couch
Current price: $40.99
Barnes and Noble
Dancin' on the Couch
Current price: $40.99
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Size: CD
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Their first album scored hits on both sides of the Atlantic with a polished but infectious brand of
pop-soul
, so it was no surprise that the duo
Go West
returned two years later with much the same sound. The disappointment of
Dancing on the Couch
(the enigmatic title is a reference to the book
The Red Couch: A Portrait of America
, though one would be hard-pressed to figure that out from most of the lyrics) is the missing hooks:
Peter Cox
's appealingly rough tenor just slides right over the glossy grooves, searching in vain for something memorable to catch onto. By far the most memorable song of the set is a reworking of the first album's
"Don't Look Down,"
which, even in this slightly inferior version, is head and shoulders above the other nine cuts. The only other tracks that make any sort of impression are the
R&B
-tinged opener
"I Want to Hear It From You,"
with
Cox
and guest
Ma Birch
adding a little heat to
Gary Stevenson
's synth-heavy production, and
"The King Is Dead,"
incongruous but attractive
cocktail jazz
with an assist from
Kate Bush
. The rest veers from the instantly forgettable (
"Chinese Whispers"
) to the truly dire (the unfunky funk of
"True Colours"
and
"Dangerous"
), wasting the typically excellent fretless bass work of
Pino Palladino
in the bargain. The album flopped, though
and partner
Richard Drummie
would regain commercial footing a few years later with a series of
adult contemporary
soul
singles. What they didn't regain was the spark that made their first album special. ~ Dan LeRoy
pop-soul
, so it was no surprise that the duo
Go West
returned two years later with much the same sound. The disappointment of
Dancing on the Couch
(the enigmatic title is a reference to the book
The Red Couch: A Portrait of America
, though one would be hard-pressed to figure that out from most of the lyrics) is the missing hooks:
Peter Cox
's appealingly rough tenor just slides right over the glossy grooves, searching in vain for something memorable to catch onto. By far the most memorable song of the set is a reworking of the first album's
"Don't Look Down,"
which, even in this slightly inferior version, is head and shoulders above the other nine cuts. The only other tracks that make any sort of impression are the
R&B
-tinged opener
"I Want to Hear It From You,"
with
Cox
and guest
Ma Birch
adding a little heat to
Gary Stevenson
's synth-heavy production, and
"The King Is Dead,"
incongruous but attractive
cocktail jazz
with an assist from
Kate Bush
. The rest veers from the instantly forgettable (
"Chinese Whispers"
) to the truly dire (the unfunky funk of
"True Colours"
and
"Dangerous"
), wasting the typically excellent fretless bass work of
Pino Palladino
in the bargain. The album flopped, though
and partner
Richard Drummie
would regain commercial footing a few years later with a series of
adult contemporary
soul
singles. What they didn't regain was the spark that made their first album special. ~ Dan LeRoy