Nine albums into a remarkably consistent post-
Dire Straits
solo career,
Mark Knopfler
has little to prove aside from living up to his own high standards. That's not to say he's incapable of surprises or the occasional left turn, but the general trajectory of his non-soundtrack output as far back as 2004's
Shangri-La
has continued to cut a pleasingly familiar groove that fuses his myriad preferences (country, jazz, blues, pub rock, folk, Celtic) into the distinctive brand of understated English roots rock that has become his bailiwick. A single elegantly muted guitar squall or dry vocal phrase is usually all it takes to recognize the author and yet,
Knopfler
has never been one to coast on his reputation, diligently putting in the work and honing each of his songs into their essential form. Such is the case with
Down the Road Wherever
, a classic
grab-bag that essentially picks up where 2015's
Tracker
left off. A wide-ranging mix of reflective autobiographical fare and warm, eclectic storytelling, it runs the gamut from tales of a footloose football fan strolling through enemy territory (the bluesy "Just a Boy Away from Home") and a wayward bar musician hitchhiking on Christmas Day (the spare solo acoustic cut "Matchstick Man") to a pair of deeply personal and elegant piano-led jazz ballads in "When You Leave" and the smoky "Slow Learner." Well-crafted midtempo rockers like "Good on You Son" and "Back on the Dance Floor" hit that deep pocket of hooky melodicism, nimble unhurried fretwork, and half-drawled cool that is one of
's specialties. A somewhat lengthy collection, the album does tend to drag a little in its second half and while there are no outright duds, a bit of editing might have turned a strong 14-track outing into an excellent ten or 12-track one. Still, the fact that
is writing and recording at such a high level of quality at this stage in his career makes each release something to celebrate. ~ Timothy Monger