It's rare to find bands capable of keeping their own best qualities to the fore while trying something new each time out, but
Depeche Mode
demonstrate that balance in full on the marvelous
Exciter
. Arguably the first album made by the group as a cohesive unit since
Violator
(and bearing some resemblance to that record in overall title and song names -- compare "The Sweetest Condition" with "The Sweetest Perfection"),
finds the trio again balancing pop catchiness with experimental depths. As with
Ultra
, an outside producer helps focus the end results in new, intriguing directions -- in this case, said producer is
Mark Bell
, known for his work with
Bjoerk
but also as part of
Warp Records
' flagship act
LFO
, which always acknowledged their own debut to
Depeche
.
Bell
's ear for minimal, crisp beats and quick, subtle arrangements and changes suit
Martin Gore
's songs beautifully. If there are few storming arena-shaking numbers this time out, the exquisite delicacy throughout is addicting, with
Gore
's guitar providing slippery and stinging leads to the smoky, romantic flow of
. "When the Body Speaks" is a particular winner, his gentle work and a backing string section combining just right.
David Gahan
's voice, already audibly benefiting from lessons on
, is even more supple and passionate than before, ranging from the fuller delivery on the snaky charm of "Shine" to the haunting album-closer, "Goodnight Lovers," a romantic lullaby with perfect counterpoint backing vocals.
's own singing remains equally fine, as does his lyrical obsessions on, well, obsession -- "Breathe," which quotes more Bible names per verse than most preachers, makes for a good example on both fronts. When the band fully crank it up, the results work there too -- "The Dead of Night" makes for a far superior nod to
's glam roots and
's own industrial dance descendants than
Songs of Faith and Devotion
's "Rush" did. ~ Ned Raggett