Collective eyebrows were raised with the release of 1995's
Hi How Are You Today?
and its subsequent tour. And in the wake of that album, fans and critics alike awaited the 1998 arrival of the follow-up
Fine Thank You Very Much
with eager anticipation and wariness, respectively. Although it clearly states "a
traditional
album" on the cover, suspicions weren't fully quelled until an actual listen took place. After all,
MacIsaac
could be pulling a fast one. Well, he did and he didn't. Yes, this is a
recording that few expected, and no, he didn't engage in false advertising, despite some who felt duped by his change of direction from
fiddler on his debut,
Close to the Floor
, to
alternative rocker
on
. This album begins with the three-minute slow air
"The Rosebud of Allenville,"
but after that,
shows no signs of slowing down. It's midtempo to uptempo jigs, reels, hornpipes, and strathspeys for the remaining 50-plus minutes. With the exception of
John Allan Cameron
's aggressive acoustic guitar on
"Athole Cummers,"
this record is all
. In addition to his exemplary fiddle playing, he accompanies himself on piano in the unique and oft-alluded-to Cape Breton style. For those expecting more thumbing of the nose by
, it should be noted that his eccentricities wouldn't have received nearly the attention they did if he hadn't first established himself as an excellent fiddle player. ~ Dave Sleger