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Five Days July
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Barnes and Noble
Five Days July
Current price: $15.99
Barnes and Noble
Five Days July
Current price: $15.99
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Size: CD
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Blue Rodeo
's best album -- and the first of a trilogy of brilliant records that would feature the band at its most epic, brave, and experimental (also featuring
Nowhere to Here
and
Tremolo
) --
Five Days in July
began with
Daniel Lanois
' advice to the bandmembers that they not be confined by a recording studio, so they dragged their equipment out to
Greg Keelor
's farmland home and made what is essentially the ultimate "campfire" album. With the exception of the dynamite harmonic cover of
Rodney Crowell
's
"Till I Gain Control Again,"
the songs have a loose, stoney feel about them -- both
Keelor
's and
Jim Cuddy
's works feel like they just kind of organically evolved, which actually makes a whole lot of sense given the circumstances under which they were written and recorded. This is the album that at once solidified
's position as the main trailblazers of contemporary alt-country and one that became a career-defining benchmark by which all their later work would be measured. The fact that their
Small Miracles
tour in 2008 was still made up of half of this record should be indicative of its incredible importance in the
canon. The big hits are here (
"Bad Timing,"
"Hasn't Hit Me Yet,"
"5 Days in May"
), as are some hauntingly famous cameos by
Sarah McLachlan
(
"Dark Angel,"
"Know Where You Go/Tell Me Your Dream"
). With the exception of a few upbeat feel-good numbers along the way, the album is a pretty mellow affair -- a perfect record for perfectly endless listenability. This was the album in which all of
's artistic and commercial ambitions would come to fruition: to create epic, rootsy, melodic rock; to break through big commercially (in Canada, at least, where they very rightly became huge megastars); and to create for the world new instant classic solid albums -- not just random collections of songs, but the type of flawless album that leaves listeners already breathlessly anticipating what will await them on the next release.
is the quintessential and -- along with
-- defining moment of
's career to date, and it is proof positive as to why they have remained Canada's all-time greatest band ever since. It would seem an impossible act to follow, if
hadn't already so effortlessly done so. A bona fide classic, in every sense of the word. ~ Tomas Mureika
's best album -- and the first of a trilogy of brilliant records that would feature the band at its most epic, brave, and experimental (also featuring
Nowhere to Here
and
Tremolo
) --
Five Days in July
began with
Daniel Lanois
' advice to the bandmembers that they not be confined by a recording studio, so they dragged their equipment out to
Greg Keelor
's farmland home and made what is essentially the ultimate "campfire" album. With the exception of the dynamite harmonic cover of
Rodney Crowell
's
"Till I Gain Control Again,"
the songs have a loose, stoney feel about them -- both
Keelor
's and
Jim Cuddy
's works feel like they just kind of organically evolved, which actually makes a whole lot of sense given the circumstances under which they were written and recorded. This is the album that at once solidified
's position as the main trailblazers of contemporary alt-country and one that became a career-defining benchmark by which all their later work would be measured. The fact that their
Small Miracles
tour in 2008 was still made up of half of this record should be indicative of its incredible importance in the
canon. The big hits are here (
"Bad Timing,"
"Hasn't Hit Me Yet,"
"5 Days in May"
), as are some hauntingly famous cameos by
Sarah McLachlan
(
"Dark Angel,"
"Know Where You Go/Tell Me Your Dream"
). With the exception of a few upbeat feel-good numbers along the way, the album is a pretty mellow affair -- a perfect record for perfectly endless listenability. This was the album in which all of
's artistic and commercial ambitions would come to fruition: to create epic, rootsy, melodic rock; to break through big commercially (in Canada, at least, where they very rightly became huge megastars); and to create for the world new instant classic solid albums -- not just random collections of songs, but the type of flawless album that leaves listeners already breathlessly anticipating what will await them on the next release.
is the quintessential and -- along with
-- defining moment of
's career to date, and it is proof positive as to why they have remained Canada's all-time greatest band ever since. It would seem an impossible act to follow, if
hadn't already so effortlessly done so. A bona fide classic, in every sense of the word. ~ Tomas Mureika