China Crisis
underwent a complete change in sound for their third album, completely ditching the heavy
dub
rhythms and challenging arrangements of 1982's
Difficult Shapes & Passive Rhythms, Some People Think It's Fun to Entertain
and 1983's
Working with Fire and Steel (Possible Pop Songs, Vol. 2)
with an altogether smoother and less aggressive sound. That doesn't equal a commercial capitulation, however; if anything, the choice of
Walter Becker
(of the then-unfashionable
Steely Dan
) as producer was a more commercially daring maneuver than anything the group had previously attempted. The overall sound is considerably prettier than before -- the placid
Eno
-like
"Black Man Ray?
is downright beautiful -- and the arrangements mix synthesizers with traditional instruments in what was for 1985 an unusually graceful way, with neither predominating. Another difference from the earlier albums is that the group's songwriting is much improved, the failed instrumental experiments and tiresome dance workouts that occasionally marred their earlier albums replaced with a newfound melodic sophistication and lyrical acuity. By the time of 1987's
What Price Paradise
, this sophistication will be unfortunately replaced by callow slickness, but
Flaunt the Imperfection
is the one album where
got the balance right. ~ Stewart Mason