has often been accused of living in the past, and anyone who has spent much time with his recordings with his longtime project will understand why. 's tastes run heavily to classic psychedelia, folk rock, and early prog rock, with a lysergic outlook and a fondness for trippy guitar freak-outs. 's 2024 offering makes clear most of 's musical reference points still run to the 1960s and '70s, though he's been paying enough attention to the world around him to have plenty to say about 21st century life. The first two tracks, "Heat" and "Focus on Nature," are lyrically urgent salvos about the environmental crisis, with singing with great ferocity about the precarious state of the planet, while the opening track (as well as "Empty") suggests he's fashioning his own kind of punk rock, more artful than the common variety but still full of tough guitars and purposeful anger. (The press handout that comes with the album says is a fan of , and if he's no , he sounds firmly committed for a man of 71 years.) isn't always explicit in the meanings of 's lyrics, but between his fears about global warming, his dislike of fast food, his disinterest in the other bands on the bill, and a metaphorically empty tank of gas, this album finds him in a darker mood than usual, and on these 19 songs, it suits him. There's a dour eloquence in 's vocals that fits his instrument well, and he and his band work wonders with the downcast tone of the melodies, with strong, engaging melodies and plenty of the heroic guitar work that's 's signature. If hasn't been as prolific in recent years as they were in the 1980s and '90s, the quality of their work remains impressive, and is thoroughly pleasing and beautifully crafted, the sort of album 's cult following will delight in while those new to his work will wonder where his somber joy has been all their lives. ~ Mark Deming