Alphaville
's 1984 debut,
Forever Young
, deserves to be viewed as a classic
synth pop
album. There's no doubting that Germans are behind the crystalline Teutonic textures and massive beats that permeate the album, but vocalist
Marian Gold
's impressive ability to handle a
Bryan Ferry
croon and many impassioned high passages meant the album would have worldwide appeal. Indeed both
"Big in Japan"
and the touching, sad change-of-pace
"Forever Young"
raced up the charts in multiple continents. Borrowing inspiration from
Roxy Music
's detached theatricality and
Kraftwerk
's beats and rhythms,
Gold
and company hit upon a magic formula that produced here an album's worth of impossibly catchy tunes that could almost serve as pure definitions for the
genre. The hits race straight for one's cranium and embed themselves upon impact.
feels like a more serious cousin to
Murray Head
's
"One Night in Bangkok,"
as a slow-pounding beat spars with
's desperate voice.
"Forever Young,"
a stark, epic song that would become essential for every post-1984 high school graduation, drips sadness and never fails to cause a listener to nostalgically reflect on life and loss. Outside of these hits, the remainder of the songs rarely falter, mixing emotion, theater, and of course electronics into a potent, addictive wave of synth euphoria. It's likely every fan could pick his own favorite of the other should-have-been-hits, but
"Fallen Angel"
deserves special mention. It begins with spooky, funny warbling and icy keyboards, and then explodes and transforms into a startling, romantic epiphany at the chorus. If its lyrics are a bit goofy or juvenile, it only adds to the heartfelt love the song expresses.
stick firmly to their synths and sequencers on
, but they keep things interesting by incorporating motifs from
funk
, Broadway,
Brazilian jazz
, and even
hip-hop
. Even when the band takes itself too seriously, the songs' catchy drive and consistently smart production cover any thematic holes.
is a technically perfect and emotionally compelling slice of 1980s electronic
pop/rock
music. It's also a wonderfully fun ride from start to finish. ~ Tim DiGravina