This first recording of the
Die Like a Dog Quartet
is fittingly subtitled
Fragments of Music, Life and Death of Albert Ayler
. In the liner notes (in both German and English),
Peter Broetzmann
writes of his passionate empathy for a musician whom he considers a kindred spirit;
Broetzmann
feels a link with
Ayler
since each were doing a similar thing "at the same point in time" although neither musician had heard the other. And so, lightly scattered throughout this first meeting of the
are fragments of quotes from
's
Bells
,
"Ghosts,"
"Prophet,"
and more. In August 1993
was joined for a live concert in Berlin by legendary free jazz trumpeter
Toshinori Kondo
(who also occasionally utilizes electronics effects) and the wondrous rhythm section (although they are no straight time-keepers) of bassist
William Parker
and percussionist
Hamid Drake
. And so here, on one recording, you get four musicians who, whenever they're playing, play with every ounce of their attention, passion, and ability. Add to this each musician's great ability on his respective instrument and you get music that is alternately moving, invigorating, and astonishing. The dynamics range from rattles, long, low breaths, and short staccato blurts to the kind of exploding intensity and energy that is usually associated with
. There are also two takes (one, just over a minute long) on the standard
"Saint James Infirmary"
that come at the beginning and end of the three-part
"No. 2."
~ Joslyn Layne