When white blues guitarist was found dead at 37 of a drug overdose in his 1965 Chevy in 1981 in San Francisco, he was no more than a rock footnote to most people, having never had the kind of fame and adulation given to guitar peers like , , and , although he surely influenced all of these players with his sharp improvisational skills and his exciting, and admittedly sometimes erratic, performances. While most guitarists of his generation learned the elements of blues guitar playing from records, , who grew up in North Chicago, learned them first-hand by playing with the likes of , and others in Chicago's gritty blues clubs, and skin color meant nothing to at a time when it seemed to mean everything to everyone else in America. His first bands, and , were racially mixed blues powerhouses, fusing the blues with jazz, R&B, psychedelia, and seemingly everything else under the sun, and like , both of those bands are woefully underappreciated. was also a much in-demand session player, playing guitar at 's sessions and adding his energy and guitar licks to projects by , and many others. His solo albums were strange, eccentric, occasionally brilliant, and never sold well. This set, produced and curated by longtime collaborator , is the first overarching survey of 's woefully short career, containing three music discs, Roots, Jams, and Last Licks, with a DVD disc of ' documentary Sweet Blues: A Film about Michael Bloomfield rounding out the set. It's a must for any fan, and hopefully will open the gates to a renewed appreciation for this brilliant, manic, and groundbreaking guitarist. ~ Steve Leggett