's reputation continues to grow among Western audiences. A breakout star of West Africa whose savvy songs blend the kinetic desert blues of his native Niger with roaring hard rock licks, the singer/guitarist has spent the past decade touring the globe and releasing a string of exciting records, mainly on American labels. , his second album for , is not only a rallying dispatch against colonial oppression but also the most sonically thrilling release of his career. Arriving three years (and multiple tours) after 2021's , this is the album that cements 's place as a contemporary guitar god and not just one from Africa. In its present format, identifies as a band with its namesake leader joined by rhythm guitarist , drummer , and bassist/producer . In this way, they recall Latin American guitar hero , whose tight band and boldly psychedelic album covers serve as a template for 's own throwback aesthetic. The title track and opener kicks off with a thunderous '70s rock-inspired riff before segueing into the circular rhythms and intricate guitar patterns that are the group's bailiwick. Sung in the Tamasheq language, its fiery lyrics are undeniably combative, challenging African leaders to reclaim their independence and cut ties with Western oppressors. With its face-melting intro and frantic pace, "Sousoume Tamacheq" relates the plight of displaced Tuareg people as "a helpless orphan abandoned by three countries, Mali-Niger, Niger-Mali, and Algeria as the third." Though more relaxed in tone, the poignant "Modern Slaves" asks "Oh world, why be so selective about human beings? My people are crying while you laugh." Despite its lyrical intensity, there is an abundance of passion and joy in 's music that can't help but spill over with communal energy. This is a band and artist working at their peak, and is a career highlight. ~ Timothy Monger