Once
Appetite for Destruction
finally became a hit in 1988,
Guns N' Roses
bought some time by delivering the half-old/half-new LP
G N' R Lies
as a follow-up. Constructed as a double EP, with the "indie" debut
Live ?!*@ Like a Suicide
coming first and four new acoustic-based songs following on the second side,
is where the band metamorphosed from genuine threat to joke. Neither recorded live nor released by an indie label,
is competent
bar band
boogie, without the energy or danger of
. The new songs are considerably more problematic.
"Patience"
is
at their prettiest and their sappiest, the most direct song they recorded to date. Its emotional directness makes the misogyny of
"Used to Love Her (But I Had to Kill Her)"
and the pitiful slanders of
"One in a Million"
sound genuine. Although the cover shrugs them off as a "joke,"
Axl Rose
's venom is frightening -- there's little doubt that he truly does believe that "faggots" come to America from another country and that "niggers" should stay out of his way. Since he wasn't playing a character on the remainder of the album, there's little doubt this is from the heart as well. And what makes it harder to dismiss is the musical skill of the band, which makes the
country
-fried boogie of
"Used to Love Her,"
the bluesy revamp of
"You're Crazy,"
and the tough, paranoid fever dream of
indelible. So, you either listen to the music and are satisfied or else listen to the lyrics and become disturbed not only by
Rose
's intentions, but by the millions of record buyers that identified with him. ~ Stephen Thomas Erlewine