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Give Up [Deluxe]
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Give Up [Deluxe]
Current price: $15.99
Barnes and Noble
Give Up [Deluxe]
Current price: $15.99
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Size: CD
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Coming off their work on
Dntel
's beautiful
This Is the Dream of Evan and Chan
,
Jimmy Tamborello
and
Death Cab for Cutie
's
Ben Gibbard
team up again for their full-length debut as
Postal Service
Give Up
. Instead of covering that EP's territory again, with this album the duo crafts a poppier, new wave-inflected sound that recalls
Tamborello
's work with
Figurine
more than
's lovely subtlety. However,
's famously bittersweet vocals and sharp, sensitive lyrics imbue
with more emotional heft than you might expect from a synth pop album, especially one by a side project from musicians as busy as
Gibbard
are. The album exploits the contrast between the cool, clean synths and
's all-too-human voice to poignant and playful effect, particularly on
's first two tracks. "The District Sleeps Alone" bears
's trademark songwriting, augmented by glitchy electronics and sliced-and-diced strings, while "Such Great Heights"' pretty pop could easily appear on a
album, minus a synth or two. Despite some nods to more contemporary electronic pop,
's sound is based in classic new wave and synth pop, at times resembling an indie version of
New Order
or
the Pet Shop Boys
. Songs like "Nothing Better," a duet that plays like an update on
Human League
's "Don't You Want Me?," and the video-game brightness of "Brand New Colony" sound overtly like the '80s brought into the present, but the tinny, preset synth and drum sounds on the entire album recall that decade. Sometimes, as on "Recycled Air" and "We Will Become Silhouettes," the retro sounds become distracting, but for the most part they add to the album's playful charm. The spooky ballad "This Place Is a Prison" is perhaps the most modern-sounding track and the closest in sound and spirit to
work. The crunchy, distorted beats and sparkling synths recall both
Bjoerk
's recent work; indeed, this song, along with the "All Is Full of Love" cover
Death Cab
included on their
Stability
EP, could be seen as an ongoing tribute to her. Overall,
is a fun diversion for
, and their fans. It doesn't scale the heights of either of their main projects, but it's far more consistent and enjoyable than might be expected. [The Deluxe 10th Anniversary Edition was released as a two-CD set that featured a disc of bonus tracks, including the previously unreleased "A Tattered Line of String" and "Turn Around."] ~ Heather Phares
Dntel
's beautiful
This Is the Dream of Evan and Chan
,
Jimmy Tamborello
and
Death Cab for Cutie
's
Ben Gibbard
team up again for their full-length debut as
Postal Service
Give Up
. Instead of covering that EP's territory again, with this album the duo crafts a poppier, new wave-inflected sound that recalls
Tamborello
's work with
Figurine
more than
's lovely subtlety. However,
's famously bittersweet vocals and sharp, sensitive lyrics imbue
with more emotional heft than you might expect from a synth pop album, especially one by a side project from musicians as busy as
Gibbard
are. The album exploits the contrast between the cool, clean synths and
's all-too-human voice to poignant and playful effect, particularly on
's first two tracks. "The District Sleeps Alone" bears
's trademark songwriting, augmented by glitchy electronics and sliced-and-diced strings, while "Such Great Heights"' pretty pop could easily appear on a
album, minus a synth or two. Despite some nods to more contemporary electronic pop,
's sound is based in classic new wave and synth pop, at times resembling an indie version of
New Order
or
the Pet Shop Boys
. Songs like "Nothing Better," a duet that plays like an update on
Human League
's "Don't You Want Me?," and the video-game brightness of "Brand New Colony" sound overtly like the '80s brought into the present, but the tinny, preset synth and drum sounds on the entire album recall that decade. Sometimes, as on "Recycled Air" and "We Will Become Silhouettes," the retro sounds become distracting, but for the most part they add to the album's playful charm. The spooky ballad "This Place Is a Prison" is perhaps the most modern-sounding track and the closest in sound and spirit to
work. The crunchy, distorted beats and sparkling synths recall both
Bjoerk
's recent work; indeed, this song, along with the "All Is Full of Love" cover
Death Cab
included on their
Stability
EP, could be seen as an ongoing tribute to her. Overall,
is a fun diversion for
, and their fans. It doesn't scale the heights of either of their main projects, but it's far more consistent and enjoyable than might be expected. [The Deluxe 10th Anniversary Edition was released as a two-CD set that featured a disc of bonus tracks, including the previously unreleased "A Tattered Line of String" and "Turn Around."] ~ Heather Phares