again oversees an album from the duo, while the photo on the front of and in what looks like modified bondage gear maintains the sex theme well enough. Put it all together with song titles like (Sex Underwater) and (Absolute Body Control) and are tending that much more to the flesh rather than the mind. Things are just a touch less powerful than on ; opening track has a bass/melody combination that could almost be early . Most of the time, though, it's only a slight difference by degrees, as pounding monsters like and the instrumental build of demonstrate. 's music generally still relies on his forceful percussion and sharp, cutting synth bass in combination, and once again makes it sound fantastic. Additional touches surface throughout, and if isn't as immediately varied as was, the subtler elements do provide variety. There's almost a feeling to the vibey keyboards on while the rough military drumming on suits the song perfectly. Accordingly, one of the best songs has one of the best fusions -- with a soft, chime/keyboard melody over a tough bass/drum beat, singing appearing only every so often during its length. himself, however sex-obsessed he might be this time out, still makes a strong frontman -- certainly, if you don't know German, you can just pretend he's ordering everyone to the dancefloor under pain of death or something similar. closes out on a fantastic note with a full-on destructive beast in the mode, and a steady-paced, almost anthemic number with the trademark blend of brusqueness still intact. ~ Ned Raggett