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Greatest Hits
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Barnes and Noble
Greatest Hits
Current price: $17.99
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With his easy, laid-back singing style and almost folky approach to things,
Hal Ketchum
falls to the
soft rock
side of the
contemporary country
music spectrum, and consequently, he has always sounded like an artist apart in the genre, although his solid songwriting and shrewd choices in the songs he covers have placed him high on the
country
charts several times with impossible not to like sides like
"Small Town Saturday Night,"
"I Know Where Love Lives,"
"Sure Love,"
and the impressive
"Hearts Are Gonna Roll."
This brief set (at ten songs, it contains four less than
Curb Records
' earlier
Hits
collection from 1996) has all of those hits plus his interesting cover of
the Vogues
' 1965 hit
"Five O'Clock World,"
and it contains the bare bone essentials from
Ketchum
's early-'90s tenure at
Curb
. Although his themes are
honky tonk
in nature, the sound he uses to present things isn't traditional
at all, and he remains an artist, much like
Mary Chapin Carpenter
, caught on an odd island between
folk
and hard
, belonging to neither camp entirely. At any rate, these ten tracks are probably, at least for now, the heart of his commercial legacy, and they go down remarkably easy and comfortably, with little flash or fanfare, a trait that is most likely more a blessing than a curse. ~ Steve Leggett
Hal Ketchum
falls to the
soft rock
side of the
contemporary country
music spectrum, and consequently, he has always sounded like an artist apart in the genre, although his solid songwriting and shrewd choices in the songs he covers have placed him high on the
country
charts several times with impossible not to like sides like
"Small Town Saturday Night,"
"I Know Where Love Lives,"
"Sure Love,"
and the impressive
"Hearts Are Gonna Roll."
This brief set (at ten songs, it contains four less than
Curb Records
' earlier
Hits
collection from 1996) has all of those hits plus his interesting cover of
the Vogues
' 1965 hit
"Five O'Clock World,"
and it contains the bare bone essentials from
Ketchum
's early-'90s tenure at
Curb
. Although his themes are
honky tonk
in nature, the sound he uses to present things isn't traditional
at all, and he remains an artist, much like
Mary Chapin Carpenter
, caught on an odd island between
folk
and hard
, belonging to neither camp entirely. At any rate, these ten tracks are probably, at least for now, the heart of his commercial legacy, and they go down remarkably easy and comfortably, with little flash or fanfare, a trait that is most likely more a blessing than a curse. ~ Steve Leggett