On his third album for
Ninja Tune
,
Machinedrum
(
Travis Stewart
) makes a significant leap toward pop-minded production while sharpening his futuristic hybrid club sound. His previous three full-lengths, starting with his influential 2011
Planet Mu
release
Room(s)
and continuing with both
Vapor City
albums for
, successfully fused spacious synth pads, jungle breakbeats, R&B and dancehall vocal samples, and the franticness of Chicago's juke/footwork scene. While all of those influences come into play on
Human Energy
, the beats aren't quite as heavy by volume, and the synths aren't nearly as vast and spacious. Instead, everything sounds much tighter and shinier. The album features more guest vocalists than any of
's previous releases, and the vocals are just as tweaked and processed as the rest of the sounds that make up the compositions, functioning as additional instruments as well as pop hooks. Compared to
Folding Time
, the second album by
Sepalcure
Stewart
's duo with
Praveen Sharma
) that was released earlier in 2016,
manipulates the vocals a lot more on
, rather than let them breathe as on
cuts like "Devil Inside." The tempos are generally higher, and there isn't much resembling U.K. garage or dubstep here, as there was on the
album. Instead, the beats are generally fast and intricately arranged, although there's often a half-time trap bounce to them. The busy tempos and neon synths constantly seem to be building up to a euphoric climax, but they never truly explode into a predictable "drop," instead continuing to evolve and develop in search of another peak. "Do It 4 U" features R&B singer
Dawn Richard
, fresh off her acclaimed 2015 full-length,
Blackheart
, and singles on forward-thinking electronic labels
Fade to Mind
and
Local Action
. Her punchy vocals are guided by subtle drum'n'bass breaks and they contribute greatly to the song's energy, but it stops just before it sounds like it's about to burst into warp speed. "Celestial Levels" (with
Jesse Boykins III
) is a much slower R&B number, but the synth melodies and plucked acoustic guitars are much busier, without sounding overdriven. "Spectrum Sequence" matches the names of colors with different electronic tones and patterns, transforming into an audio pinwheel. It's pretty nerdy and showy, but it's also incredibly fun and grin-inducing. "White Crown" throws in knotty prog-metal riffs from
Animals as Leaders
guitarist
Tosin Abasi
, and it essentially sounds like a dream collaboration between
Omar Rodriguez-Lopez
Rustie
or
Hudson Mohawke
.
gets a bit more meditative on less beat-centric tracks like "Ocean of Thought" and "Opalescent," but even these seem charged with ecstatic spirits. The album ends suddenly with the hyperkinetic robotic chirp of "Colour Communicator," which could've been released by
PC Music
is an exhilarating showcase for
's continually mutating vision of abstract pop. ~ Paul Simpson