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Barnes and Noble

I Like Men: Reflections of Miss Peggy Lee

Current price: $16.99
I Like Men: Reflections of Miss Peggy Lee
I Like Men: Reflections of Miss Peggy Lee

Barnes and Noble

I Like Men: Reflections of Miss Peggy Lee

Current price: $16.99
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The success of 's defies the odds. The idea of doing "tribute" albums to more famous performers in the jazz genre is as commercially enticing as it is artistically dicey. It's hard to gain a footing in jazz, and associating oneself with a well-known name is an obvious way to get attention. But the jazz section of record stores (brick-and-mortar and in cyberspace) is strewn with failed efforts in which performers were saddled with material unsuited to them, and with which they were unfamiliar before the call came from their managers. Then, too, the tribute concept works better in a live setting than on disc, since the question always comes up, why not just listen to a recording actually by the original artist? , distinctive singer and songwriter both, is a particularly difficult case as, see, for example, the misbegotten attempt . So, why does this one work so well? For starters, , a singer and pianist for whom this is her eighth release, clearly knew 's work before this project began. In fact, it sounds like was a primary influence on her, and while she certainly isn't imitating here, she has several aspects of 's vocal approach pinpoint correct. She uses the breathiness of her voice as did, and she recognizes 's timing, remaining exactly on the beat. She also has some of 's humor, particularly in and a bit of her air of command, though, truthfully, not a lot. (Her aims more for seduction than domination.) In fact, is so good at doing that she gets away with things, for one, interpolating her own original song, which is more vernacular than ever got. (A kiss-off song, it uses terms like "b.s.") For another, some of her song choices are somewhat tenuous; probably belongs on a tribute album, instead. But these are the liberties taken by someone who is so sure of herself that she can afford to take risks, which, too, is true to . And by the way, when isn't singing, she is playing some tasty jazz solos along with a small band that follows some unusual contours in the arrangements, such as the tempo changes that pace Like so many other tributes, this is one that probably works better as a live show, but it also works awfully well on disc, and it is that rarity, a tribute that actually does pay tribute by demonstrating an affectionate knowledge of the one to whom tribute is being paid. ~ William Ruhlmann

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