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I See a Darkness
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I See a Darkness
Current price: $31.99
Barnes and Noble
I See a Darkness
Current price: $31.99
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Bonnie "Prince" Billy
's album
I See a Darkness
seems to pick up where
Will Oldham
's 1997 album
Joya
left off; a more melodic style than the veteran
Palace
listener might be used to.
Oldham
definitely hasn't abandoned his foundation of mordant lyrics and minimalist arrangements, but he has built a variety of different layers that make this album an emotional and pleasurable listening experience. In
"Nomadic Revery,"
draws upon his classic Appalachian sound; it's the kind of song that begs you to join in.
has always given the kind of energy to his character's voices that most people are afraid to relate to. This is all too evident in
"Death to Everyone,"
punches out his bitter poetry in his most somber voice. The album takes its most surprising turn on
"Madeleine-Mary,"
a
Celtic
-style
folk
song set to a Rastafarian guitar sound.
"Today I Was an Evil One"
introduces a horn section that drives home his morbid words in a strangely elegant manner. The album closes with a short and rare love song called
"Raining in Darling"
;
stretches his voice to its most impressive limits, and the number is touching and hopeful. ~ Gregg Rounds
's album
I See a Darkness
seems to pick up where
Will Oldham
's 1997 album
Joya
left off; a more melodic style than the veteran
Palace
listener might be used to.
Oldham
definitely hasn't abandoned his foundation of mordant lyrics and minimalist arrangements, but he has built a variety of different layers that make this album an emotional and pleasurable listening experience. In
"Nomadic Revery,"
draws upon his classic Appalachian sound; it's the kind of song that begs you to join in.
has always given the kind of energy to his character's voices that most people are afraid to relate to. This is all too evident in
"Death to Everyone,"
punches out his bitter poetry in his most somber voice. The album takes its most surprising turn on
"Madeleine-Mary,"
a
Celtic
-style
folk
song set to a Rastafarian guitar sound.
"Today I Was an Evil One"
introduces a horn section that drives home his morbid words in a strangely elegant manner. The album closes with a short and rare love song called
"Raining in Darling"
;
stretches his voice to its most impressive limits, and the number is touching and hopeful. ~ Gregg Rounds