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Inner City Front
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Barnes and Noble
Inner City Front
Current price: $16.99
Barnes and Noble
Inner City Front
Current price: $16.99
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Size: OS
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Inner City Front
continues the urban toughness that moved to the forefront on
Bruce Cockburn
's previous release,
Humans
. Furthermore, like that record, there's an uneasiness that runs throughout, from the jazz-tinged opener,
"You Pay Your Money and You Take Your Chance,"
to the disquieting
"Loner,"
which closes the album. Even a love song like
"Wanna Go Walking,"
one of the most straightforward rockers he's ever recorded, reflects the weight of the outside world. Only the jazzy instrumental
"Radio Shoes"
and the joyful
"And We Dance"
remain free of this underlying tension. Musically, moody synths, violin, and woodwinds on
underscore the dark, reflective nature of the material, which like its predecessor, deals with the "paradox and contrast" in the human condition, from personal relationships to world affairs. Also, for the second consecutive recording,
Cockburn
eschews the folkier, acoustic leanings of his '70s work and places both feet squarely into the jazz and worldbeat rock that dominated the majority of
. One track,
"The Strong One,"
is even given a slow, brooding, techno treatment. Since the release of
In the Falling Dark
,
was gaining creative momentum with each release, and
continues that trend. ~ Brett Hartenbach
continues the urban toughness that moved to the forefront on
Bruce Cockburn
's previous release,
Humans
. Furthermore, like that record, there's an uneasiness that runs throughout, from the jazz-tinged opener,
"You Pay Your Money and You Take Your Chance,"
to the disquieting
"Loner,"
which closes the album. Even a love song like
"Wanna Go Walking,"
one of the most straightforward rockers he's ever recorded, reflects the weight of the outside world. Only the jazzy instrumental
"Radio Shoes"
and the joyful
"And We Dance"
remain free of this underlying tension. Musically, moody synths, violin, and woodwinds on
underscore the dark, reflective nature of the material, which like its predecessor, deals with the "paradox and contrast" in the human condition, from personal relationships to world affairs. Also, for the second consecutive recording,
Cockburn
eschews the folkier, acoustic leanings of his '70s work and places both feet squarely into the jazz and worldbeat rock that dominated the majority of
. One track,
"The Strong One,"
is even given a slow, brooding, techno treatment. Since the release of
In the Falling Dark
,
was gaining creative momentum with each release, and
continues that trend. ~ Brett Hartenbach