On , reimagined the instant gratification of rock & roll with thrilling results. On their second album, , and take a deeper dive into rock's transporting powers. At once tighter and more complex than reflects the two years spent touring in support of their debut, as well as the year it took to craft the album in the studio (one key piece of gear was the Rockman, an amp that 's developed in 1982). In much the same way that some power pop and new wave bands expanded their music to arena-sized proportions as the '80s unfolded, is bigger and more deliberate than its predecessor. The songs are longer, the beats are heavier, and the guitar solos are more ambitious, with the suite-like "If You Want It to Be True" providing one of many showcases for 's formidable fretwork. While "Diamond Drive" proves once again that can tap into the pure joys of rock like few other bands can, much of finds them exploring more complicated territory. The band uses the album's shiny, hard-edged sound to create a world of rock & roll magic that, in its own way, feels akin to the mystical imagery of and 's solo work. Sometimes, the illusions of separate lovers: On "Good Times," is abandoned and surrounded by rainbows, while the mention of "rock 'n' roll hair" suggests that this is what might have happened after let the good times roll. Later, on "Another Dimension," (who contributes several of the album's highlights) wishes she could bend the fabric of space and time to find someone who's long gone -- or possibly imaginary. Elsewhere, music is a vehicle for connection and reconnection, whether it's riding radio waves on "Radiate" or coming out of hiding to dance on "Cosmic Cave." As sings on the excellent power ballad "No Reflection," "It's one thing to be real/and another to pretend." Thanks to 's sheer commitment to their rock & roll fantasies, never feels less than genuine. ~ Heather Phares