While parts of
Jeanette Lindstrom's
previous album,
Another Country
, illustrated her strengths as an interpreter of well-known lyrics, her sophomore effort,
I Saw You
, excluded standards in favor of mostly songs the singer herself wrote or co-wrote. Considering that she had grown up in Sweden, it was hard not be impressed by how Black-sounding she could be (especially when hitting the high notes). But
Lindstrom's
style doesn't bring to mind the "rock 'em, sock 'em" side of jazz and R&B so much as their more impressionistic side. If you took the most impressionistic and introspective post-bop that
Abbey Lincoln
,
Dianne Reeves
or
Akua Dixon Turre
had done and added overtones of R&B, the results might sound something like "The Color," "Stockholm" or "Couldn't You Try." Everything on
sounds quite personal, and it was obvious that
Quincy Jones'
praise of
Lindstrom
was more than justified. This Swedish release's overall excellence made one hope that
, an artist with tremendous potential, would become as well known in the U.S. as she was in Scandinavia. ~ Alex Henderson