Middle Eastern music is traditionally fairly sparse -- attempting to evoke the human voice with every bit of instrumentation, and keeping to the dastgahs, the maqams fairly tightly. When it becomes modernized, however, it can become a big sound, as in
rai
. Here with the
Brothers of the Baladi
, it's a very, very big sound. The core of the sound is in Middle Eastern instrumentation, but there's a chunk of
electronica
behind it all and strong (and tweaked) vocals. The album opens with an intriguing cover of the
Buffalo Springfield
classic
"For What It's Worth"
in an entirely new light. The title track is a thick fusion of old and new with aspects of
belly dancing
music layered with some fairly
ambient
vocals and more
. A couple of more
traditional
numbers come next, dropping most of the modern ornamentation in favor of simpler oud and saz arrangements (but with a funky beat that's a little more pumped up than the
versions). And then it's back to the modern fusion pieces. An anti-war song is followed by a bit of a swooping ballad in
"The Next Time,"
and a return to the more clearly Middle Eastern with
Farid Al Atrache
's
"Wy'ek."
After an oddly-placed
Anglo-Saxon dirge, the cycle seems to repeat again -- another anti-war song, a modern fusion
belly dance
(more hopped up than ballad this time though), and a
Arabic piece in
"Wah Wah."
A bit of the Song of Solomon is adapted into another piece of the very big sound -- lots of voices, lots of electronics, lots of drums. After a
Persian piece is reworked, the album ends with another cover of a classic
rock
anti-war song just like it began, using
Neil Young
"Rockin' in the Free World"
this time around. The sound is thick. These guys are taking a lot of liberties with
musics, and generally winning on their bets. They're primarily in the circuit of world music festivals and college campus performances, but their sound is more thoroughly developed and richer than that would imply. Worth a shot for anyone who's got an ear for modern world music and something like what
might sound like in Portland, Oregon. ~ Adam Greenberg