Rather than try to capture their legendary on-stage energy in a studio,
MC5
opted to record their first album during a live concert at their home base, Detroit's
Grande Ballroom
, and while some folks who were there have quibbled that
Kick Out the Jams
isn't the most accurate representation of the band's sound, it's certainly the best of the band's three original albums, and easily beats the many semiauthorized live recordings of
that have emerged in recent years, if only for the clarity of
Bruce Botnick
's recording. From
Brother J.C. Crawford
's rabble-rousing introduction to the final wash on feedback on
"Starship,"
is one of the most powerfully energetic live albums ever made;
Wayne Kramer
and
Fred "Sonic" Smith
were a lethal combination on tightly interlocked guitars, bassist
Michael Davis
and drummer
Dennis Thompson
were as strong a rhythm section as Detroit ever produced, and
Rob Tyner
's vocals could actually match the soulful firepower of the musicians, no small accomplishment. Even on the relatively subdued numbers (such as the
blues
workout
"Motor City Is Burning"
), the band sound like they're locked in tight and cooking with gas, while the full-blown rockers (pretty much all of side one) are as gloriously thunderous as anything ever committed to tape; this is an album that refuses to be played quietly. For many years, Detroit was considered the High Energy Rock & Roll Capital of the World, and
provided all the evidence anyone might need for the city to hold onto the title. ~ Mark Deming