It may be surprising, as you listen to this release of classic Mexican songs and imagine the dour cowboys who sang them first, to look at the graphics and see the comparatively boyish face of Mexican tenor
Arturo Chacon
. This entire production is redolent of the era of
Jorge Negrete
and
Javier Solis
, and you don't see how
Chacon
could have the chops, or the life experiences, to pull it off. Yet he does. Really, the most extraordinary performance here is delivered by producer
Marisa Canales
and engineer
Luis Rene Cardenas Martinez
, working in the Teatro de la Ciudad in the northern Mexican city of Hermosillo. It is beautifully evocative of the closely miked, closely walled studio sound of the classic Mexican recordings. The orchestral arrangements, by a variety of Mexican composers, are also elegantly done; several tracks incorporate something approximating the original mariachi setting into the orchestral texture. Also noteworthy is the work of the little-known
Orquesta Filarmonica de Sonora
under director
Enrique Patron de Rueda
. The songs are all well-known Mexican numbers from about the 1920s through the 1950s, and they include the most famous one of all, "Besame Mucho," whose female composer,
Consuelo Velazquez
, had never been kissed when she wrote it. Many of the others will give even casual listeners the feeling of having heard them somewhere.
has the power for the operatic high notes of a piece like
Juan Gabriel
's "De Mi Enamorate" (track nine), but the real attraction of his singing is just his uncanny way of getting the rich, blazing, yet slightly nasal sound of the great Mexican singers without specifically imitating any one of them. This album is, above all, a great deal of fun, and it's a must for anyone with a love of Mexican popular song. ~ James Manheim