Second verse, not quite like the first.... Released a mere nine months after
the Ramones
' groundbreaking debut, 1977's
Leave Home
was in many respects a continuation of the sound and attitude of the first album, with its unrelenting barrage of chunky guitar downstrokes and Mad Magazine-influenced lyrical absurdity. But even a cursory listen reveals
had made plenty of progress in less than a year. The performances on
are tighter and better focused than they were on
Ramones
, and
Tommy Ramone
's minimalist drumming gained a bit of swing that was absent on the debut.
The Ramones
sound more comfortable with their attack, never quite as simple as it seems, while also bearing down with a greater speed and ferocity that finds them hitting their stride in the studio. Just as importantly, the production is noticeably more polished this time out, which helps more than one might expect. Without the strict left/right separation of
,
is more friendly to the ear, and the increased clarity does wonders for the passionate bleat of
Joey
's vocals,
Johnny
's unrelenting Mosrite abuse, and the melodic details that lurk beneath the surface of
' wall of noise. And if the first album was full of immediate classics,
has more than its share of great tunes, including the anthemic "Pinhead" and "Commando," the high-velocity teen romance of "Oh Oh I Love Her So" (certainly the greatest love story ever set at a Burger King), and the catchy invitations to bad behavior in "Carbona Not Glue" and "Glad to See You Go."
wasn't as startling as
' first album, and it's not quite as strong and consistent as their masterpiece
Rocket to Russia
, but it was a positive step forward for the Pride of Forest Hills, and it's one of their best and most satisfying albums. ~ Mark Deming