The Japan-only original version of
Live at the Jazz Cafe, London
was released in 1996 as a stopgap between
D'Angelo
's first and second albums. Eighteen years later, it was expanded and widely reissued as a stopgap between the artist's second and third albums, the latter of which had yet to materialize. The 1996 release consisted of roughly two-thirds of the September 14, 1995 performance, with the selections presented out of sequence. The 2014 release contains the whole set, from the introduction to the rapt applause at the close of an 11-minute "Brown Sugar." In the U.K.,
's first single was three weeks away from release, yet the audience knew it from the first notes. In the States, the debut album from the 21 year-old was only two months old, on its way to platinum status. In the liner notes, manager
Alan Leeds
recalls that
had done only a few gigs. Indeed, the early portion of this set sounds tentative. It begins with two-minute versions of
Mandrill
's "Fencewalk" and
Ohio Players
' "Sweet Sticky Thing," in which
's trio of female background vocalists -- including collaborator
Angie Stone
, between pioneering rap group
Sequence
and her solo career -- are more prominent. From there,
and his band roll through over half of the debut's songs, including an uptempo version of "Jonz in My Bonz" (co-written by
Stone
) and a livelier "Lady," greatly enhanced by the extra voices. There are other covers, not just one of
Smokey Robinson
and
Marv Tarplin
's "Cruisin'."
Al Green
's "I'm Glad You're Mine" includes a showcase for guitarist
Mike Campbell
, an essential player in
Voodoo
, while a joyously reverent "Can't Hide Love" -- written by
Skip Scarborough
for
Creative Source
, made more popular by
Earth, Wind & Fire
, and practically a standard -- gets another instant crowd reaction. This is a fascinating and satisfying document of a path-clearing young artist who had just gone supernova. ~ Andy Kellman