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Barnes and Noble

Live from Austin TX November 12, 2000

Current price: $17.99
Live from Austin TX November 12, 2000
Live from Austin TX November 12, 2000

Barnes and Noble

Live from Austin TX November 12, 2000

Current price: $17.99
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Steve Earle
first appeared on the long-running roots-music television showcase
Austin City Limits
in 1986, as his debut album
Guitar Town
was riding the charts. He returned to their stage in 2000, and in many respects it seems like a lot more than 15 years separates the two performances;
New West Records
released the 1986 appearance on CD as DVD in 2004 in their
Live from Austin, TX
series, while the 2000 set has been given its own release in 2008. The passage of time is certainly apparent in
Earle
's voice, and it's not until the third track,
"Another Town,"
that his vocals sound like they've truly warmed up, but it's the material and the musical approach that really tell the story on this disc. Only three of the 15 tracks on
date back to
's first three albums before his drug habit took him out of circulation, and in this performance,
isn't afraid to tackle some unapologetically difficult material, such as
"The Unrepentant"
and
"Taneytown,"
and even the lighter numbers, such as
"Hard-Core Troubadour"
"More Than I Can Do"
cut deeper emotionally than the guy who sang
"Guitar Town"
was willing to go in 1986. And having realized that the Nashville establishment was pretty much done with him, for this set
pairs himself with a rough and ready
rock & roll
band, featuring
Eric "Roscoe" Ambel
on guitar,
Kelly Looney
on bass and
Will Rigby
on drums. They lay down plenty of fire on
"Someday,"
"Copperhead Road,"
"The Devil's Right Hand"
that serves the songs well, while offering a lighter but resonant touch on
"Telephone Road"
"Steve's Last Ramble."
While the mix on this disc doesn't always flatter the guitars, the performance is lean and insistent, and the long introduction to
"Christmas in Washington"
makes clear that in the 21st century,
isn't afraid to say or sing what's in his heart and on his mind, and it's good that two of the man's many musical facets are represented in this series. ~ Mark Deming

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