More than most musicians working in the 21st century,
Gary Clark, Jr.
is dedicated to the live album. He released
Live
two years after his 2012 major-label debut,
Blak and Blu
, and
Live North America 2016
arrives on a similar schedule, appearing in 2017 after the release of 2015's
The Story of Sonny Boy Slim
.
Clark
worked his second major-label album throughout 2016, so it's little surprise that a good chunk of that record appears here, along with a few choice selections from his debut. To this set list,
throws in covers of
Jimmy Reed
's "Honest I Do" and
Elmore James
' "My Baby's Gone."
nails
Reed
's laconic delivery and
James
' hypercharged slide guitar, proof of his versatility and taste, since he doesn't use either as vehicles for his virtuosity. He saves such pyrotechnics for his own work, but that's not even the key to why
works as well as it does. The album succeeds because
knows that blues needs songs, feel, and groove in addition to solos. Indeed, the striking thing about the album is its vibe: he may be playing to large audiences, but the record feels warm and intimate, sliding into soul grooves as often as it gets gritty. In many ways, it feels richer than his studio albums, which rely on pushing his contemporary flair to the forefront.
is all about the basics and that's why it works as well as it does. ~ Stephen Thomas Erlewine