The essays in the collection examine, from a variety of perspectives and conceptual standpoints, the ways performative language in contemporary poetry can be politically charged. The poetic text, then, becomes a spectacle, which ultimately renegotiates the power dynamics implicit in the simple act of looking. As the language unfolds before the reader, they are involved and implicated in a revision of what is and what always has been an unequal share of power on the stage of textual authorship and readerly interpretation. In
L
ook to Your Left: A Feminist Poetics of Spectacle
, Darling grounds these ambitious theoretical discussions (and interventions) in poetry by women, non-binary writers, and writers of color, with a particular emphasis on texts that have been heretofore undertheorized.