Though had always used to build a strange, often beautiful world of complex personal thoughts and visions, their albums grew increasingly manic (musically and psychologically) throughout the mid-2000s. Over the project's lengthy career, had taken their muse from sweetly lo-fi bedroom twee beginnings to bouncy disco-pop heights, landing in some bizarre, wounded state of indie R&B dementia by the time of albums like 2010's , with the lyrics growing increasingly raw and scattered. 2012's almost impenetrably dense found ' hyper-personal self-analysis and quickly changing psychedelic pop reaching a saturation point for many listeners, and reviews were mixed. is a complete about-face from the cast of multiple personalities and sonic mood swings of ' recent past, offering a refreshingly straightforward collection of songs under the unlikely influence of '60s and '70s FM radio roots rockers like , , and . Instead of the usual process of playing all the instruments themself and layering their own vocals with endless digital recording, the sessions for took place in an almost entirely live analog studio setting, with session musicians quickly working on their parts and going direct to tape. The resultant recordings have the same loose yet lucid feeling as 's , or early albums by , with the songs deep in a classic rock vein while still touched with ' ever-obtuse lyrical spirals. Beginning with the slide guitar twang of album opener "Fugitive Air," almost all of the indie electro postures that defined the band before vanish, replaced with a sway circa "Jigsaw Puzzle," updated with ' penchant for vivid lyrical imagery equal parts gorgeous and grotesque. This rootsy swaggering continues on the esque "Belle Glade Missionaries" and "Hegira Emigre," matching greasy boogie rock rhythms with glowing harmonies and deceptively dark lyrics. Vocalist shows up throughout the album, lending bright lead vocals to the / -modeled country ballad "Raindrop in My Skull." taps into these unexpected influences without submitting to them completely, trying each one on like a flimsy costume not quite capable of covering the core elements of ' own songwriting personality. The unsettling imagery, buttery basslines, and meandering key changes that have been staples since the start fit surprisingly well into the dusty traditional rock framework of , offering a breath of fresh air from the pleasant but convoluted rush of the past several albums. Swapping out the sonic and mental clutter for a host of centered, unconfused rock tunes is a curveball move, for sure, but the end product is one of the most memorable, lasting, and relatable albums in 's extensive catalog, and easily one of the best. ~ Fred Thomas