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Man Made Object
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Man Made Object
Current price: $16.99
Barnes and Noble
Man Made Object
Current price: $16.99
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Coming off their sophomore effort, 2014's Barclaycard Mercury Prize-shortlisted
V2.0
,
GoGo Penguin
return with their equally ambitious 2016 follow-up,
Man Made Object
. A jazz trio at their core, Britain's
have garnered well-earned plaudits for their distinctive, genre-bending sound that combines elements of forward-thinking post-bop with stylistic elements borrowed from indie rock and electronic dance music -- all without the aid of any actual electronic instrumentation. Showcased in
are the talents of pianist
Chris Illingworth
, bassist
Nick Blacka
, and drummer
Rob Turner
. Together on
, they perform wholly original compositions that straddle the line between group improvisations and well-constructed thematic compositions. Cuts like "All Res," "Branches Break," and the driving, punky "Smarra," all have the signifiers of jazz (sophisticated harmonies, kinetic rhythms, and an introverted, exploratory energy), but play out more like an adventurous
Radiohead
track, or the soundtrack music to a '70s heist film. The results bring to mind the work of similarly inclined artists like pianist
Brad Mehldau
and groups like
the Bad Plus
and
Medeski, Martin & Wood
. There's also a ruminative, impressionistic vibe running through much of the material on
that positions
at the vanguard of the new British jazz movement alongside the likes of trumpeter
Matthew Halsall
and bassist
Jasper Hoiby
's trio
Phronesis
. Comparisons aside, what sets
apart from their contemporaries is their inventive group interplay and knack for dramatic arranging. Often,
Illingworth
will set up a pattern on piano, like the spritely, dancing intro to "Unspeakable Word," and
Blacka
Turner
will join in, answering his pattern with their own contrapuntal footwork. Just as you think the trio are going to lock up legs and topple over, they fall into a gorgeous minor-key stride and dissipate into a sweepingly ominous mid-song bass solo. Ultimately, it's these moments of dazzling group dynamics that help make
a jazz-infused work of art on
's own terms. ~ Matt Collar
V2.0
,
GoGo Penguin
return with their equally ambitious 2016 follow-up,
Man Made Object
. A jazz trio at their core, Britain's
have garnered well-earned plaudits for their distinctive, genre-bending sound that combines elements of forward-thinking post-bop with stylistic elements borrowed from indie rock and electronic dance music -- all without the aid of any actual electronic instrumentation. Showcased in
are the talents of pianist
Chris Illingworth
, bassist
Nick Blacka
, and drummer
Rob Turner
. Together on
, they perform wholly original compositions that straddle the line between group improvisations and well-constructed thematic compositions. Cuts like "All Res," "Branches Break," and the driving, punky "Smarra," all have the signifiers of jazz (sophisticated harmonies, kinetic rhythms, and an introverted, exploratory energy), but play out more like an adventurous
Radiohead
track, or the soundtrack music to a '70s heist film. The results bring to mind the work of similarly inclined artists like pianist
Brad Mehldau
and groups like
the Bad Plus
and
Medeski, Martin & Wood
. There's also a ruminative, impressionistic vibe running through much of the material on
that positions
at the vanguard of the new British jazz movement alongside the likes of trumpeter
Matthew Halsall
and bassist
Jasper Hoiby
's trio
Phronesis
. Comparisons aside, what sets
apart from their contemporaries is their inventive group interplay and knack for dramatic arranging. Often,
Illingworth
will set up a pattern on piano, like the spritely, dancing intro to "Unspeakable Word," and
Blacka
Turner
will join in, answering his pattern with their own contrapuntal footwork. Just as you think the trio are going to lock up legs and topple over, they fall into a gorgeous minor-key stride and dissipate into a sweepingly ominous mid-song bass solo. Ultimately, it's these moments of dazzling group dynamics that help make
a jazz-infused work of art on
's own terms. ~ Matt Collar