For
More Adventurous
,
Rilo Kiley
's
Warner
-distributed hello to the big time, the Los Angeles band is more cohesive, more spotless, and tidier in its tangle of
indie pop
torch song
, and too-cool-for-school cynicism than ever before. This time out they favor craft over ruckus, rarefied over reckless. Sometimes
Adventurous
goes too far -- like
Belle & Sebastian
, RK's fastidiousness can become a sticky glaze. (The overwrought sway of
"Does He Love You?"
comes to mind.) But the album is a mostly-perfect collection of the various sounds the band does best, wrapped around easily findable hooks. They're well-dressed indie kids ready and quite able to charm the mainstream.
Jenny Lewis
' vocals are lighter than clouds and
Petula Clark
sweet, even if she occasionally spits venom. "Any asshole can open up a museum/Put all the things he loves on display," she dismisses in the
Luna
-like opener
"It's a Hit."
But
Lewis
' characters' faults and failings are just bruises on the
fruit, blemishes that characterize the band's effortlessly clean swirl of live string arrangements, subtle synth/keys, and glowing acoustic guitar.
"I Never"
is a full-on, cast of thousands soundstage production, a robust, keening
ballad
filled with pedal steel, fuzzed-out
Beatles
guitar soloing, and
' gargantuan voice. The title track takes us back to
's earlier work with its atmospheric
country
feel, while
"Love and War [11/11/46]"
is refreshingly propulsive -- it could be
Stereophonics
covering
Lone Justice
. Most of the album's quieter moments are equally strong, if somewhat grayed out.
' stylistic restlessness might take some getting used to for new listeners. But fans from the
Saddle Creek
days will enjoy the greater attention to detail, and everyone will love the bountiful hooks. ~ Johnny Loftus